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x chapters. The first part, which is titled Leaders and the Revolution,
上海龙凤1314女神会所features artworks about the early life and achievements of Mao Zedong before 1949.
The second part, War and Peace, features heroic soldiers in the Long Mar
ch (1934-36), on the battlefields fighting against Japanese invaders during the War of R上海龙凤1314
esistance against Japanese Aggression (1931-45) and in the Korean War (1950-53).
上海龙凤1314女神会所The third section comprises portraits of Chairman Mao from the 1960-70s when art was used as a ma
jor tool for politics. Art that was produced during this period can be easily identified by its distinctive style.
The other three chapters are about innovation and experiment上海龙凤1314女神会所
ation, the construction of New China, and the development of Chinese society.
上海龙凤1314″Chen Yifei already showed his extraordinary creative power with a series of hist
orical paintings … but in this piece he gave up the realistic creative methods which he used so adeptly,” says Ch上海龙凤1314
en Lyusheng, referring to the exhibition centerpiece Thinking of the Seven Decades of History at My Space.
上海龙凤1314女神会所According to Chen Lyusheng, the work features a combination of multiple layers of blurred images of his
torical events and a painting of the artist’s own back, making it seem as if he is meditating before history.
“It was a challenge to the established principles in the creation of hist上海龙凤1314
orical paintings in China,” Chen Lyusheng adds. “The artist Chen Yifei was exploring new po
ssibilities in this field. The painting appeared in a special period of history after the ‘cultural revolution’ (1966-76), an
d was one of the first signs of post-modernism appearing in the Chinese art scene.”
Born in 1946, Chen Yifei was one of the first Chinese artists to win recognition in the internatio上海龙凤1314女神会所
nal art scene. In his later years, Chen established a business focused on visual art, achieving major br
eakthroughs in filmmaking, fashion design and publishing. He died in Shanghai in 2005.
In 2009, Wang bought Thinking of the Seven Decades of History at My Space for 43 million yuan ($6.25 million), making it th
e most valuable painting with a revolutionary theme in the Long Museum’s collection.
“Chen Yifei was an artist from Shanghai and so were my family
and me. It meant a lot to us to bring the painting back home to Shanghai,” said Wang.
lines alone, this collaborative approach allows the voice-over performer to see the emotional cha
nges acted by others, prompting a natural reaction from an individual performer, according to Date.
“I heard that some foreign fans are learning Japanese so that they can understand the original version. We’re very proud of that,” says Date.
He adds that he hopes Chinese animators will continue to take inspiration from th
eir own culture and similarly encourage overseas audiences to learn Chinese.
Currently codirecting the anime series Magmell of the Sea Blue, a Sino-Japanese animated ser
es adapted from a Chinese comic book story of the same title, Date says he still marvels at the story’s so
phisticated narrative, which centers around the adventures of a rescuer of explorers on a newly formed continent.
Interestingly, more and more foreign animation filmmakers are seeking inspiration from China.
Marsden reveals that Sony is partnering with Base Animation in Xiamen, East China’s Fujian province, to produce the animated feature Wish Dragon.
which means the project will provide a large number of jobs to lo
cal communities,” he said. “It is expected that up to 100,000 to 200,000 locals will be d
rawn to the new economic zone after its completion. They will rise out of poverty by working in this zone.”
The project will be beneficial to both China and Cambodia, Qian said.
“Many Chinese companies go overseas to expand their businesses. However, because of a la
ck of experience and related knowledge, most of them face huge obstacles abroad,” he said. “Our company has done overseas business for mo
re than 40 years and will provide a familiar business environment for other Chinese companies in the new economic zone.”
Some Chinese companies have decided to join the investment in the ne
w Cambodia project, Qian said, adding that in his opinion, a company should follow the nati
onal policy and direction such as Belt and Road Initiative while being profitable at the same time.
tner of Qiming Venture Partners, Xu Xin, founding partner of Capital Today, and Tong Sh
ihao, managing partner of GGV Capital. They ranked fifth, sixth and seventh respectively.
The list was ranked by investors’ portfolio companies that have gone public or been acquired for at least $200 million over
the past five years, or that have raised additional funding at a valuation of $400 million or more.
“A record number of international investors, pa
rticularly from China, and women investors are gradually changing the image of the Sil
icon Valley venture capitalist,” said Alex Konrad, associate editor at Forbes, in an editor’s pick.
He noted that after years of Midas dominance, the reign of Facebook and Twitt
er is over, as those deals and their well-known investors make way for a new generation.
“The increasing presence of Chinese investors in the Midas List is a solid reflection of the scal
e and vigor of the Chinese economy,” said Zhou Xuan, director of and a professor with the priva
te investment funds institute of the University of International Business and Economics in Beijing.